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Synge and Edwardian Ireland$
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Brian Cliff and Nicholas Grene

Print publication date: 2011

Print ISBN-13: 9780199609888

Published to Oxford Scholarship Online: January 2012

DOI: 10.1093/acprof:oso/9780199609888.001.0001

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PRINTED FROM OXFORD SCHOLARSHIP ONLINE (oxford.universitypressscholarship.com). (c) Copyright Oxford University Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in OSO for personal use. date: 27 February 2021

Synge’s Typewriter

Synge’s Typewriter

The Technological Sublime in Edwardian Ireland1

(p.21) 2 Synge’s Typewriter
Synge and Edwardian Ireland

Chris Morash

Oxford University Press

This chapter begins by noting that John Millington Synge’s experience of pre-modern rural Irish cultures was mediated by modern communications technologies: the typewriter and the camera. The typewriter, while interposing a mechanism between writer and the written word, also allowed Synge to write more quickly than was possible by hand, thus bringing the speed of writing closer to the speed of composition. Likewise, the camera effectively froze moments of time, thereby disrupting the linearity of temporal experience. Placing these observations in the context of wider disruptions of the experience of time and space that were occurring as Synge was writing in the 1890s and early 1900s, the essay concludes that the characteristic disruptions of the experience of temporality and spatiality in Synge’s plays and prose have as much to do with engagement with modern technologies of communication as with encounters with pre-modern cultures.

Keywords:   Irish theatre, modernism, primitivism, temporality, spatiality, typewriter, camera

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