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- Title Pages
- Acknowledgements
- List of Abbreviations
- List of Illustrations
- List of Contributors
- 1 Introduction
- 2 A History of <i>The History of Cardenio</i>
- 3 After Arden
- 4 <i>Cardenio</i> and the Eighteenth-Century Shakespeare Canon
- 5 Malone’s <i>Double Falsehood</i> <sup>*</sup>
- 6 ‘Whether one did Contrive, the Other Write,/Or one Fram’d the Plot, the Other did Indite’: Fletcher and Theobald as Collaborative Writers
- 7 Looking for Shakespeare in <i>Double Falsehood</i>: Stylistic Evidence
- 8 Can <i>Double Falsehood</i> Be Merely a Forgery by Lewis Theobald?
- 9 Theobald’s Pattern of Adaptation: <i>The Duchess of Malfi</i> and <i>Richard II</i>
- 10 Four Characters in Search of a Subplot: Quixote, Sancho, and <i>Cardenio</i>
- 11 <i>Don Quixote</i> and Shakespeare’s Collaborative Turn to Romance*
- 12 The Friend in <i>Cardenio, Double Falsehood</i>, and <i>Don Quixote</i>
- 13 Transvestism, Transformation, and Text: Cross-dressing and Gender Roles in <i>Double Falsehood</i>/<i>The History of Cardenio</i>
- 14 In This Good Time: <i>Cardenio</i> and the Temporal Character of Shakespearean Drama
- 15 A Select Chronology of <i>Cardenio</i>
- 16 The Embassy, The City, The Court, The Text: <i>Cardenio</i> Performed in 1613
- 17 <i>Cardenio</i> without Shakespeare
- 18 Nostalgia for the Cervantes–Shakespeare Link: Charles David Ley’s <i>Historia de Cardenio</i>
- 19 Cultural Mobility and Transitioning Authority: Greenblatt’s <i>Cardenio Project</i>
- 20 Reimagining <i>Cardenio</i>
- 21 Will the Real <i>Cardenio</i> Please Stand Up? Richards’s <i>Cardenio</i> in Cambridge
- 22 Theobald Restor’d: <i>Double Falsehood</i> at the Union Theatre, Southwark
- 23 Restoring <i>Double Falsehood</i> to the Perpendicular for the RSC*
- 24 Exploring <i>The History of Cardenio</i> in Performance
- 25 Taylor’s <i>The History of Cardenio</i> in Wellington
- 26 ‘May I be metamorphosed’: <i>Cardenio</i> by Stages
- Works Cited
- Index
(p.ix) List of Abbreviations
(p.ix) List of Abbreviations
- Source:
- The Quest for Cardenio
- Publisher:
- Oxford University Press
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- Title Pages
- Acknowledgements
- List of Abbreviations
- List of Illustrations
- List of Contributors
- 1 Introduction
- 2 A History of <i>The History of Cardenio</i>
- 3 After Arden
- 4 <i>Cardenio</i> and the Eighteenth-Century Shakespeare Canon
- 5 Malone’s <i>Double Falsehood</i> <sup>*</sup>
- 6 ‘Whether one did Contrive, the Other Write,/Or one Fram’d the Plot, the Other did Indite’: Fletcher and Theobald as Collaborative Writers
- 7 Looking for Shakespeare in <i>Double Falsehood</i>: Stylistic Evidence
- 8 Can <i>Double Falsehood</i> Be Merely a Forgery by Lewis Theobald?
- 9 Theobald’s Pattern of Adaptation: <i>The Duchess of Malfi</i> and <i>Richard II</i>
- 10 Four Characters in Search of a Subplot: Quixote, Sancho, and <i>Cardenio</i>
- 11 <i>Don Quixote</i> and Shakespeare’s Collaborative Turn to Romance*
- 12 The Friend in <i>Cardenio, Double Falsehood</i>, and <i>Don Quixote</i>
- 13 Transvestism, Transformation, and Text: Cross-dressing and Gender Roles in <i>Double Falsehood</i>/<i>The History of Cardenio</i>
- 14 In This Good Time: <i>Cardenio</i> and the Temporal Character of Shakespearean Drama
- 15 A Select Chronology of <i>Cardenio</i>
- 16 The Embassy, The City, The Court, The Text: <i>Cardenio</i> Performed in 1613
- 17 <i>Cardenio</i> without Shakespeare
- 18 Nostalgia for the Cervantes–Shakespeare Link: Charles David Ley’s <i>Historia de Cardenio</i>
- 19 Cultural Mobility and Transitioning Authority: Greenblatt’s <i>Cardenio Project</i>
- 20 Reimagining <i>Cardenio</i>
- 21 Will the Real <i>Cardenio</i> Please Stand Up? Richards’s <i>Cardenio</i> in Cambridge
- 22 Theobald Restor’d: <i>Double Falsehood</i> at the Union Theatre, Southwark
- 23 Restoring <i>Double Falsehood</i> to the Perpendicular for the RSC*
- 24 Exploring <i>The History of Cardenio</i> in Performance
- 25 Taylor’s <i>The History of Cardenio</i> in Wellington
- 26 ‘May I be metamorphosed’: <i>Cardenio</i> by Stages
- Works Cited
- Index
