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The Aesthetics of LossGerman Women's Art of the First World War$
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Claudia Siebrecht

Print publication date: 2013

Print ISBN-13: 9780199656684

Published to Oxford Scholarship Online: January 2014

DOI: 10.1093/acprof:oso/9780199656684.001.0001

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PRINTED FROM OXFORD SCHOLARSHIP ONLINE (oxford.universitypressscholarship.com). (c) Copyright Oxford University Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in OSO for personal use. date: 07 March 2021

Conclusion

Conclusion

Chapter:
(p.149) Conclusion
Source:
The Aesthetics of Loss
Author(s):

Claudia Siebrecht

Publisher:
Oxford University Press
DOI:10.1093/acprof:oso/9780199656684.003.0007

The conclusion links the aesthetics developed by German female artists between 1914 and 1918 to the interwar period and points out how they stood in contrast with the Nazi vision of wartime death, as numerous pieces by some of the more prolific female artists were removed from public exhibitions and denounced as degenerate. Women's wartime aesthetics also had a long-term impact on the memory of artistic forms of war in twentieth-century Germany.

Keywords:   War, art, memory, aesthetics, national socialism

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