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Speaking to YouContemporary Poetry and Public Address$
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Natalie Pollard

Print publication date: 2012

Print ISBN-13: 9780199657001

Published to Oxford Scholarship Online: September 2012

DOI: 10.1093/acprof:oso/9780199657001.001.0001

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PRINTED FROM OXFORD SCHOLARSHIP ONLINE (oxford.universitypressscholarship.com). (c) Copyright Oxford University Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in OSO for personal use. date: 12 April 2021

Oppositional Principles

Oppositional Principles

(p.153) 7 Oppositional Principles
Speaking to You

Geoffrey Hill

Oxford University Press

This chapter probes Hill's sense that a poet's fulfilment of his role is connected with the ability to engage appropriately with listeners: the right forms of address to the right addressees. It argues address demands breaking and preserving customary good behaviours, accusatory and commendatory responses, focusing on Hill's argumentative addresses in lectures and essays. It explores the predominantly haranguing address: interlocutions directed at others. Julien Benda, Edward Said, Raymond Williams, William Empson, and Stephan Collini are put into play alongside Hill's addresses. Each of these writers articulates misgivings about authorial inspiration. Each focuses on the writer's susceptibility, the danger of succumbing to misplaced pride when exposed to the ‘crowd’. In Hill's public addresses, ‘real denunciation’ is hard labour, a verbal warfare turned as much upon oneself as upon others. The poet-critic witnesses his own susceptibilities and betrayals in ‘the public institution’ of language.

Keywords:   Geoffrey Hill, address, ceremony, argument, William Empson, Stephan Collini, public, labour

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