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Unusual SuspectsPitt's Reign of Alarm and the Lost Generation of the 1790s$

Kenneth R. Johnston

Print publication date: 2013

Print ISBN-13: 9780199657803

Published to Oxford Scholarship Online: September 2013

DOI: 10.1093/acprof:oso/9780199657803.001.0001

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(p.xi) List of Illustrations

(p.xi) List of Illustrations

Source:
Unusual Suspects
Publisher:
Oxford University Press

  1. 1.1. Amelia Opie, by John Opie 20

  2. © National Portrait Gallery, London

  3. 2.1. John Thelwall, by Henry James Richter 26

  4. © National Portrait Gallery, London

  5. 2.2. William Godwin, by Miss Roberts, after Thomas Kearsley 34

  6. © National Portrait Gallery, London

  7. 3.1. Joseph Priestley, by Ellen Sharples 49

  8. © National Portrait Gallery, London

  9. 3.2. ‘Dr. Phlogiston’ (‘Annabel Scratch,’ July 1, 1791) 54

  10. © The Trustees of the British Museum

  11. 4.1. James Montgomery, by Charles Turner 65

  12. © National Portrait Gallery, London

  13. 5.1. William Frend, by Andrew Birrell 80

  14. © National Portrait Gallery, London

  15. 6.1. Thomas Beddoes, Sr., by Sampson Towgood Roche 97

  16. © National Portrait Gallery, London

  17. 6.2. ‘Scientific Researches! New Discoveries in PNEUMATICKS!’ ( James Gillray, May 23, 1802) 108

  18. © National Portrait Gallery, London

  19. 7.1. Helen Maria Williams (1792), by Ozias Humphry, engraved by Joseph Singleton 118

  20. © The Trustees of the British Museum

  21. 7.2. Helen Maria Williams (1816), by unknown artist 126

  22. © National Portrait Gallery, London

  23. 8.1. William Drennan, by Robert Home 146

  24. © National Museums Northern Ireland, Collection Ulster Museum

  25. 10.1. Gilbert Wakefield, by Robert Laurie 186

  26. © National Portrait Gallery, London

  27. 11.1. James Mackintosh, by Sir Thomas Lawrence 206

  28. © National Portrait Gallery, London

  29. 18.1. William Blake, America a Prophecy, frontispiece, 1793 319

  30. © Yale Center for British Art, Paul Mellon Collection

  31. 18.2. William Blake, America a Prophecy, plate 16, 1793 320

  32. © Yale Center for British Art, Paul Mellon Collection