The idea of cultural heritage as an ‘international public good’ can be traced back to the Preamble of the 1954 Hague Convention for the Protection of Cultural Property in the Event of Armed Conflict, according to which ‘damage to cultural property belonging to any people whatsoever means damage to the cultural heritage of all mankind’. How this idea of cultural heritage as a global public good can be reconciled with the effective enforcement of protection norms is the subject of this study. This book examines the different ways that cultural heritage property can be protected, including protec ... More

The idea of cultural heritage as an ‘international public good’ can be traced back to the Preamble of the 1954 Hague Convention for the Protection of Cultural Property in the Event of Armed Conflict, according to which ‘damage to cultural property belonging to any people whatsoever means damage to the cultural heritage of all mankind’. How this idea of cultural heritage as a global public good can be reconciled with the effective enforcement of protection norms is the subject of this study. This book examines the different ways that cultural heritage property can be protected, including protection at the international level, enforcement in domestic courts, and the role of alternative dispute resolution mechanisms. The book is divided into three sections. The first section assesses international law and analyses the interaction between international and domestic norms of public and private law. It discusses the different methods of international enforcement, the role of international and mixed criminal tribunals and courts, and the means for protecting cultural heritage in times of armed conflict. The second section addresses the role of national courts, discussing such topics as: barriers to domestic enforcement of international norms, the refusal to enforce foreign law, the difficulty of territorial boundaries in relation to underwater heritage, and the application of criminal sanctions by domestic courts. The final section of the book surveys alternatives to the legal enforcement of the norms protecting cultural heritage, including arbitration, soft law, and diplomacy.