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The Sense of SoundMusical Meaning in France, 1260-1330$
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Emma Dillon

Print publication date: 2012

Print ISBN-13: 9780199732951

Published to Oxford Scholarship Online: May 2012

DOI: 10.1093/acprof:oso/9780199732951.001.0001

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PRINTED FROM OXFORD SCHOLARSHIP ONLINE (oxford.universitypressscholarship.com). (c) Copyright Oxford University Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in OSO for personal use. date: 22 January 2022

Sound and the City

Sound and the City

Chapter:
(p.51) 2 Sound and the City
Source:
The Sense of Sound
Author(s):

Emma Dillon

Publisher:
Oxford University Press
DOI:10.1093/acprof:oso/9780199732951.003.0022

This chapter explores the sound of medieval Paris as a sonic backdrop to the motet. It takes three case studies of representations of the city dating from the late thirteenth and early fourteenth century: the Vie de Saint-Denis manuscript; Guillot de Paris’s Dit des rues de Paris; Guillaume de Villeneuve’s Crieries de Paris. While previous scholars have focused on the visual representation of the city, this chapter listens to their conjuring of sound. It argues that the hubbub of the marketplace, urban clatter, and sacred chant provide an audible foil to the hubbub of the polytextual motet.

Keywords:   Paris, soundscape, motet, Jean de Jandun, Vie de Saint-Denis, street cries, Guillot de Paris, Guillaume de Villeneuve

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