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Electronic and Computer Music$
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Peter Manning

Print publication date: 2013

Print ISBN-13: 9780199746392

Published to Oxford Scholarship Online: September 2013

DOI: 10.1093/acprof:oso/9780199746392.001.0001

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Paris and Musique Concrète

Paris and Musique Concrète

Chapter:
(p.19) 2 Paris and Musique Concrète
Source:
Electronic and Computer Music
Author(s):

Peter Manning

Publisher:
Oxford University Press
DOI:10.1093/acprof:oso/9780199746392.003.0002

The arts revival following World War II increased institutional support for the development of electronic music. In Europe two broadcasting networks, Radiodiffusion Télévision Française (RTF) in Paris, and Norwestdeutscher Rundfunk (NWDR) in Cologne, took up the initiative. Movements toward new paths in musical composition during the second half of the century tended, at least initially, to polarize around select groups of activists with a strongly defended identity, and these studios were no exception. This chapter focuses on the Paris group, which became dedicated to the advancement of musique concrète, and its pioneer Pierre Schaeffer.

Keywords:   electronic music, Radiodiffusion Télévision Française, musical composition, Pierre Schaeffer

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