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Electronic and Computer Music$
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Electronic and Computer Music

Peter Manning

Print publication date: 2013

Print ISBN-13: 9780199746392

Published to Oxford Scholarship Online: September 2013

DOI: 10.1093/acprof:oso/9780199746392.001.0001

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PRINTED FROM OXFORD SCHOLARSHIP ONLINE (oxford.universitypressscholarship.com). (c) Copyright Oxford University Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in OSO for personal use. date: 18 April 2021

Synthesis, Signal Processing, and Spatialization

Synthesis, Signal Processing, and Spatialization

Chapter:
(p.430) 23 Synthesis, Signal Processing, and Spatialization
Source:
Electronic and Computer Music
Author(s):

Peter Manning

Publisher:
Oxford University Press
DOI:10.1093/acprof:oso/9780199746392.003.0023

The development of synthesis and signal processing software since the late 1990s, facilitated by the exponential growth in the power and versatility of the associated hardware, has materially transformed the opportunities for exploring the medium of computer music during the early part of the 21st century. Although the foundations for these developments had been clearly established by the end of the last century, the true extent and significance of what was to follow could not have been fully anticipated, not least in terms of the resulting empowerment of the individual, working without the enhanced support of a research institution. This important shift in the locus of activity has opened up new perspectives for the future development of the medium, and these form an integral part of the critique that emerges from this chapter.

Keywords:   Chapter keywords: multichannel, signal processing, synthesis, spatialization

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