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Electronic and Computer Music$
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Peter Manning

Print publication date: 2013

Print ISBN-13: 9780199746392

Published to Oxford Scholarship Online: September 2013

DOI: 10.1093/acprof:oso/9780199746392.001.0001

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America

America

Chapter:
(p.74) 5 America
Source:
Electronic and Computer Music
Author(s):

Peter Manning

Publisher:
Oxford University Press
DOI:10.1093/acprof:oso/9780199746392.003.0005

This chapter describes the development of electronic music in America. The lack of institutional support after the Second World War resulted in no major system of lasting significance, until the mid-1950s. Many so-called studios were merely of a collection of tape recorders and interconnecting wires assembled in a back room or, at best, commercial recording systems leased for experimentation. Despite this general lack of resources, however, several composers managed to investigate the creative possibilities of manipulating sounds recorded on tape. Two notable events were Radio Corporation of America's development of a fully self-contained sound synthesizer and the establishment of the Columbia–Princeton Electronic Music Center at Columbia University.

Keywords:   electronic music, musical composition, Radio Corporation of America, sound synthesizer, Columbia–Princeton Electronic Music Center

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