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The Age of New WavesArt Cinema and the Staging of Globalization$
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James Tweedie

Print publication date: 2013

Print ISBN-13: 9780199858286

Published to Oxford Scholarship Online: January 2014

DOI: 10.1093/acprof:oso/9780199858286.001.0001

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PRINTED FROM OXFORD SCHOLARSHIP ONLINE (oxford.universitypressscholarship.com). (c) Copyright Oxford University Press, 2020. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in OSO for personal use. date: 29 November 2020

Walking in the City

Walking in the City

Chapter:
(p.83) {2} Walking in the City
Source:
The Age of New Waves
Author(s):

James Tweedie

Publisher:
Oxford University Press
DOI:10.1093/acprof:oso/9780199858286.003.0003

This chapter is organized around a specific scene and action performed repeatedly in French new wave cinema: characters walking through the city. These emblematic rambles through urban space often unfold without apparent aim or direction, as getting somewhere becomes a secondary consideration and the film concentrates instead on the urban context and the act of walking itself. The films focus on the youthful body in a city undergoing its own process of demolition and renewal, and these scenes stage that interaction between people and the urban environment. Individual cases studies include Louis Malle’s Elevator to the Gallows, Jean-Luc Godard’s Breathless, the documentary and fiction filmmaking of Alain Resnais, and Agnès Varda’s Cléo from 5 to 7

Keywords:   french new wave, cities, architecture, paris, Paul Virilio, Henri Lefebvre, Louis Malle, Jean-Luc Godard, Alain Resnais, Agnès Varda

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