The Music of James Bond
Jon Burlingame
Abstract
This book tells the behind-the-scenes story of the songs and scores written for the movie adventures of Ian Fleming's Agent 007 of the British Secret Service. The book looks at many aspects of the 50-year saga including the following: How the “James Bond Theme” was written at the last minute for Dr. No and how it became the subject of controversy, ending in a libel trial 40 years later in London's High Court. How Bond composer John Barry invented a new kind of action-adventure music for movies, and how despite writing immensely popular scores for Goldfinger, Thunderball, You Only Live Twice an ... More
This book tells the behind-the-scenes story of the songs and scores written for the movie adventures of Ian Fleming's Agent 007 of the British Secret Service. The book looks at many aspects of the 50-year saga including the following: How the “James Bond Theme” was written at the last minute for Dr. No and how it became the subject of controversy, ending in a libel trial 40 years later in London's High Court. How Bond composer John Barry invented a new kind of action-adventure music for movies, and how despite writing immensely popular scores for Goldfinger, Thunderball, You Only Live Twice and eight other Bond films, he never received a single Academy Award nomination for his Bond music. Why Monty Norman preceded Barry, and why Paul McCartney, Marvin Hamlisch, Bill Conti, Michael Kamen, Eric Serra and David Arnold succeeded him as composers (and details of the Burt Bacharach and Michel Legrand scores for the “unofficial” Bond films). How top artists like Shirley Bassey, Tom Jones, Nancy Sinatra, Louis Armstrong, Carly Simon, Madonna and others were convinced to record for 007, and how Frank Sinatra and Amy Winehouse almost did. How changes in the Bond sound reflected what was happening in pop and rock circles, from the twangy guitar of the Sean Connery era to a more sedate sound for Roger Moore, synthesizers for George Lazenby and Timothy Dalton, and a more contemporary approach for Pierce Brosnan and Daniel Craig. Each chapter also contains a “score highlights” box that examines each Bond score in detail, especially as relates to the commercially available soundtrack albums.
Keywords:
James Bond,
film music,
Monty Norman,
John Barry,
Burt Bacharach,
Paul McCartney,
Marvin Hamlisch,
Bill Conti,
Michel Legrand,
Michael Kamen,
Eric Serra,
David Arnold,
Shirley Bassey
Bibliographic Information
Print publication date: 2012 |
Print ISBN-13: 9780199863303 |
Published to Oxford Scholarship Online: January 2013 |
DOI:10.1093/acprof:oso/9780199863303.001.0001 |