Curious Subjects focuses on the relationship between women, curiosity, and the rise of the novel, using the lenses of scientific, legal, and “fictional” curiosity to examine the changing definitions of the subject within these various discourses. Texts range from eighteenth-century fiction to classic Victorian “heroine texts,” to contemporary revisions of realist forms, with an emphasis on the always-doubled and duplicitous nature of both female curiosity and the realist project. The book rethinks the question of female knowledge from within the form of the novel, using not just t ... More

Curious Subjects focuses on the relationship between women, curiosity, and the rise of the novel, using the lenses of scientific, legal, and “fictional” curiosity to examine the changing definitions of the subject within these various discourses. Texts range from eighteenth-century fiction to classic Victorian “heroine texts,” to contemporary revisions of realist forms, with an emphasis on the always-doubled and duplicitous nature of both female curiosity and the realist project. The book rethinks the question of female knowledge from within the form of the novel, using not just the metaphor but the history of curiosity after the Enlightenment. It begins with the wanderings of curiosity from medieval pilgrims’ relics to private collections to public museums, and interweaves this history with the origins of the modern legal subject, arguing that the most intriguing version of that subject is the curious heroine. So, from the beginning of the book, the rise of the novel, the evolution of curiosity, and the enfranchisement of women are deeply intertwined. Central literary figures include Dickens, Thackeray, George Eliot, and Henry James, with examples ranging from Paradise Lost and Clarissa to The Sadeian Woman and The Handmaid’s Tale, from Freud to Bluebeard’s wife.