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French MovesThe Cultural Politics of le hip hop$
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Felicia McCarren

Print publication date: 2013

Print ISBN-13: 9780199939954

Published to Oxford Scholarship Online: September 2013

DOI: 10.1093/acprof:oso/9780199939954.001.0001

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PRINTED FROM OXFORD SCHOLARSHIP ONLINE (oxford.universitypressscholarship.com). (c) Copyright Oxford University Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in OSO for personal use. date: 24 July 2021

Breaking History

Breaking History

Hélène Cixous’ L’histoire terrible mais inachevée de Norodom Sihanouk, Roi du Cambodge and Yiphun Chiem’s Apsara

(p.122) Chapter 5Breaking History
French Moves

Felicia McCarren

Oxford University Press

Yiphun Chiem’s solo Apsara pairs breakdance with Cambodian traditional dance to describe the layering of identity in the migrant experience, and suggests the impact of both live performance and recording technologies in the global communities transmitting dances.

Keywords:   DANCING—Breakdancing—Gesture in Dance— DANCING—On Television, —Dance and new media, CAMBODIA, TRADITIONAL DANCE—YIPHUN CHIEM APSARA (2007)—COMPAGNIE TRIBAL SARONG, HELENE CIXOUS—l’Histoire Terrible mais inachevée de Norodom Sihanouk, Roi du Cambodge (1984)—Asians—EU—Cultural Assimilation

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