Hélène Cixous’ L’histoire terrible mais inachevée de Norodom Sihanouk, Roi du Cambodge and Yiphun Chiem’s Apsara
Yiphun Chiem’s solo Apsara pairs breakdance with Cambodian traditional dance to describe the layering of identity in the migrant experience, and suggests the impact of both live performance and recording technologies in the global communities transmitting dances.
Keywords: DANCING—Breakdancing—Gesture in Dance— DANCING—On Television, —Dance and new media, CAMBODIA, TRADITIONAL DANCE—YIPHUN CHIEM APSARA (2007)—COMPAGNIE TRIBAL SARONG, HELENE CIXOUS—l’Histoire Terrible mais inachevée de Norodom Sihanouk, Roi du Cambodge (1984)—Asians—EU—Cultural Assimilation
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