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Sampling Media$
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David Laderman and Laurel Westrup

Print publication date: 2014

Print ISBN-13: 9780199949311

Published to Oxford Scholarship Online: April 2014

DOI: 10.1093/acprof:oso/9780199949311.001.0001

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PRINTED FROM OXFORD SCHOLARSHIP ONLINE (oxford.universitypressscholarship.com). (c) Copyright Oxford University Press, 2022. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in OSO for personal use.date: 25 January 2022

How the World Is Being Remade

How the World Is Being Remade

The Case of Antoine Dodson and the Limits of Sampling as Transcultural and Cross-Class Expression

(p.212) 15 How the World Is Being Remade
Sampling Media

Corella Di Fede

Oxford University Press

This chapter examines the limits of sampling as a means of transcultural and cross-class expression suggested by the “Bed Intruder Song,” which was among the first viral hits to break out of Internet circulation and onto the Billboard charts. The song was a breakthrough for comedic, all-white Brooklyn-based Auto-Tune the News producers the Gregory Brothers. However, it was a far less substantial coup for Antoine Dodson, the young Southern African American man whose reaction to a rapist’s attempted assault on his sister in the housing projects became the song’s principal material. The success of the tune, the stir it caused, and the discourses that accompanied it call attention to how existing racial and economic structures are reproduced via new technologies and production practices, which on the surface promote social change.

Keywords:   sampling, race, convergence culture, productive consumption, viral media, spatial critique, new media, necropolitics, geography, appropriation

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