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Dangerous RhythmWhy Movie Musicals Matter$
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Richard Barrios

Print publication date: 2014

Print ISBN-13: 9780199973842

Published to Oxford Scholarship Online: May 2014

DOI: 10.1093/acprof:oso/9780199973842.001.0001

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PRINTED FROM OXFORD SCHOLARSHIP ONLINE (oxford.universitypressscholarship.com). (c) Copyright Oxford University Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in OSO for personal use. date: 02 December 2021

People From Jolson to Justin in Eighty-Five Years

People From Jolson to Justin in Eighty-Five Years

Chapter:
(p.79) Chapter 4 People From Jolson to Justin in Eighty-Five Years
Source:
Dangerous Rhythm
Author(s):

Richard Barrios

Publisher:
Oxford University Press
DOI:10.1093/acprof:oso/9780199973842.003.0005

The chapter starts with an examination of the performers in musical films—the successes, surprises, and failures. It considers this from the ego of Al Jolson to the generous partnering of Fred Astaire. It also looks at the tense magnetism of Judy Garland and the deceptive sunniness of Doris Day. This chapter looks at the stars of “vehicles”—Bing Crosby, Betty Grable, Elvis Presley and the failures of Kate Smith and Mariah Carey, and the frustrations of Barbra Streisand, Liza Minnelli, and Kate Smith. Guys and Dolls (1955) as an example of four varieties of musical performance: stardom (Brando), miscasting (Sinatra), unspontaneous professionalism (Blaine), unexpected glory (Simmons).

Keywords:   musical stars, Al Jolson, Fred Astaire, Judy Garland, Doris Day, Elvis Presley, Bing Crosby, Betty Grable, Guys and Dolls

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