Antiquity on Display: Regimes of the Authentic in Berlin's Pergamon Museum
Can Bilsel
Abstract
Reconstructing the lost monuments of Antiquity became, after 1800, a complement to Europe's colonial imagination. Countless archaeologists and architects travelled to the East, excavated extinct cities, and shipped their finds to Europe for display in imperial museums. This book is a critical biography of Berlin's Pergamon Museum and its popular architectural displays: the Great Altar of Pergamon, the Market Gate of Miletus, and the Ishtar Gate of Babylon. The book argues that the museum has produced a modern décor, an iconic image, which has replaced the lost antique originals, rather than cr ... More
Reconstructing the lost monuments of Antiquity became, after 1800, a complement to Europe's colonial imagination. Countless archaeologists and architects travelled to the East, excavated extinct cities, and shipped their finds to Europe for display in imperial museums. This book is a critical biography of Berlin's Pergamon Museum and its popular architectural displays: the Great Altar of Pergamon, the Market Gate of Miletus, and the Ishtar Gate of Babylon. The book argues that the museum has produced a modern décor, an iconic image, which has replaced the lost antique originals, rather than creating an explicitly hypothetical representation of Antiquity. Addressing the dilemmas raised by the continuing presence of these displays, which embody the distinctive traits of the artistic and ideological programs of the last two centuries, the book questions what the process of reproduction and authentication of Antiquity in the museum tells us about our changing perceptions of historic monuments. Documenting the process through which these imaginative reproductions of architecture were conceived, staged, and came to be perceived as authentic monuments, this volume offers an insight into the history of Berlin's Museum Island and the shifting regimes of the authentic in museum displays from the nineteenth century to the present.
Keywords:
Antiquity,
Berlin,
Pergamon Museum,
Market Gate of Miletus,
Ishtar Gate of Babylon,
reproduction,
authentification
Bibliographic Information
| Print publication date: 2012 |
Print ISBN-13: 9780199570553 |
| Published to Oxford Scholarship Online: April 2015 |
DOI:10.1093/acprof:osobl/9780199570553.001.0001 |
Authors
Affiliations are at time of print publication.
Can Bilsel, author
Associate Professor and Chair, Department of Art, Architecture and Art History, University of San Diego
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