- Title Pages
- Dedication
- Epigraph
- Abbreviations
- Figures
- Acknowledgments
-
1 Introduction -
2 Interlude -
3 Born in Africa (1990) -
4 Tears Run Dry -
5 Singing in the Shadow of Death -
6 Music, HIV/AIDS, and Social Change in Nairobi, Kenya -
7 Interlude -
8 Using Music to Combat AIDS and Other Public Health Issues in Malawi -
9 Visual Approaches to HIV Literacy in South Africa -
10 Ngoma Dialogue Circles (Ngoma-Dice) -
11 Interlude -
12 HIV/AIDS Poster Campaigns in Malawi1 -
13 Contemporary Uses of the Musical Arts in Botswana’s HIV/AIDS Health Education Initiatives -
14 “We Are the Loudmouthed HIV-Positive People” -
15 “C’est Le Wake Up! Africa” -
16 Singing Songs of AIDS in Venda, South Africa -
17 Interlude -
18 Aesthetics and Activism -
19 A Lady Who is an Akadongo Player -
20 “What Shall We Do?” -
21 Swahili AIDS Plays -
22 Confronting AIDS through Popular Music Cultures in Kenya -
23 Interlude -
24 Siphithemba—We Give Hope -
25 Young and Wise in Accra, Ghana -
26 Singing as Social Order -
27 “I’m a Rich Man, How Can I Die?” -
28 Interlude -
29 Kwaito and the Culture of AIDS in South Africa -
30 Positive Disturbance -
31 “EdzI Ndi Dolo” (“AIDS is Mighty”) -
32 Representing HIV/AIDS in Africa -
33 Postlude - About the Authors
- References
- Index
Introduction
Introduction
The Culture of AIDS: Hope and Healing Through the Arts in Africa
- Chapter:
- (p.2) (p.3) 1 Introduction
- Source:
- The Culture of AIDS in Africa
- Author(s):
Gregory Barz
Judah M. Cohen
- Publisher:
- Oxford University Press
This book explores the many different ways by which music and the arts present the nature of HIV/AIDS in Africa in moral, social, local, medical, religious, and transnational terms. It investigates events, movements, and works that continually emphasize the reality of “AIDS as human suffering,” along with creative responses as contributions to a humanly organized “epidemic of signification” surrounding HIV/AIDS. It examines the use of music to cope with HIV/AIDS, describes visual approaches to HIV literacy, and considers how individual artists have confronted HIV/AIDS. The book also discusses the use of radio and television as tools for “edutainment” and of local cultural performances as a means to combat HIV/AIDS. Most importantly, it shows how music and other expressive art forms have given rise to a “culture of AIDS” in Africa and became a potent medium through which Africans could create their own social networks, power relationships, and cultural structures to convey messages of hope and healing, as well as knowledge and good counsel, to the wider community.
Keywords: music, arts, HIV/AIDS, Africa, artists, radio, television, edutainment, culture of AIDS, social networks
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- Title Pages
- Dedication
- Epigraph
- Abbreviations
- Figures
- Acknowledgments
-
1 Introduction -
2 Interlude -
3 Born in Africa (1990) -
4 Tears Run Dry -
5 Singing in the Shadow of Death -
6 Music, HIV/AIDS, and Social Change in Nairobi, Kenya -
7 Interlude -
8 Using Music to Combat AIDS and Other Public Health Issues in Malawi -
9 Visual Approaches to HIV Literacy in South Africa -
10 Ngoma Dialogue Circles (Ngoma-Dice) -
11 Interlude -
12 HIV/AIDS Poster Campaigns in Malawi1 -
13 Contemporary Uses of the Musical Arts in Botswana’s HIV/AIDS Health Education Initiatives -
14 “We Are the Loudmouthed HIV-Positive People” -
15 “C’est Le Wake Up! Africa” -
16 Singing Songs of AIDS in Venda, South Africa -
17 Interlude -
18 Aesthetics and Activism -
19 A Lady Who is an Akadongo Player -
20 “What Shall We Do?” -
21 Swahili AIDS Plays -
22 Confronting AIDS through Popular Music Cultures in Kenya -
23 Interlude -
24 Siphithemba—We Give Hope -
25 Young and Wise in Accra, Ghana -
26 Singing as Social Order -
27 “I’m a Rich Man, How Can I Die?” -
28 Interlude -
29 Kwaito and the Culture of AIDS in South Africa -
30 Positive Disturbance -
31 “EdzI Ndi Dolo” (“AIDS is Mighty”) -
32 Representing HIV/AIDS in Africa -
33 Postlude - About the Authors
- References
- Index
