- Title Pages
- Dedication
- Illustration
- Acknowledgments
- Introduction
- 1 Pandits and Professors
- 2 Rabindranath Tagore, “Nationalism in India” (1917)
- 3 Aurobindo Ghosh, “The Renaissance in India” (1918)
- 4 A. K. Coomaraswamy, “Indian Nationality” (1909)
- 5 Lajpat Rai, “Reform or Revival?” (1904)
- 6 Bhagavan Das, “The Meaning of Swaraj or Self-Government” (1921)
- 7 K. C. Bhattacharyya, “Svaraj in Ideas” (1928)
- 1 A. K. Coomaraswamy, “Art and Swadeshi” (1910)
- 2 Aurobindo Ghosh, “The Future Poetry” (1917–1918)
- 3 Rabindranath Tagore, “Pathway to Mukti” (1925)
- 4 B. K. Sarkar, “Viewpoints in Aesthetics” (1922)
- 5 K. C. Bhattacharyya, “The Concept of Rasa” (1930)
- 6 M. Hiriyanna, “Indian Aesthetics 2,” “Art Experience 2” (1951)
- 7 Art Experience 2
- 8 An Indian in Paris
- 1 R. D. Ranade, “The Problem of Ultimate Reality in the Upanishads” (1926)
- 2 Vivekananda, Jñāna Yoga (1915)
- 3 A. C. Mukerji, “Absolute Consciousness” (1938)
- 4 Ras Bihari Das, “The Falsity of the World” (1940)
- 5 S. S. Suryanarayana Sastri, “Advaita, Causality and Human Freedom” (1940)
- 6 A. C. Mukerji, “Śaṅkara’s Theory of Consciousness” (1937)
- 7 V. S. Iyer, Śaṅkara’s Philosophy (1955)
- 8 P. T. Raju, “Scepticism and Its Place in Śaṅkara’s Philosophy” (1937)
- 9 Bringing Brahman Down to Earth
- 1 The Plato of Allahabad
- 2 A. C. Mukerji, “The Realist’s Conception of Idealism” (1927)
- 3 Hiralal Haldar, “Realistic Idealism” (1930)
- 4 K. C. Bhattacharyya, “The Concept of Philosophy” (1936)
- 5 M. Hiriyanna, “The Problem of Truth” (1930)
- 6 G. R. Malkani, “Philosophical Truth” (1949)
- 7 A. C. Mukerji, “Traditional Epistemology” (1950)
- 1 Symposium
- A Bibliography of Significant Work in Indian Philosophy from the Colonial Period and the Immediate Postindependence Period
- Index
A. K. Coomaraswamy, “Art and Swadeshi” (1910)
A. K. Coomaraswamy, “Art and Swadeshi” (1910)
- Chapter:
- (p.115) 1 A. K. Coomaraswamy, “Art and Swadeshi” (1910)
- Source:
- Indian Philosophy in English
- Author(s):
Nalini Bhushan
Jay L. Garfield
- Publisher:
- Oxford University Press
This chapter presents an excerpt from Ananda Kentish Coomaraswamy's 1910 essay, “Art and Swadeshi,” which forms a bridge between the thought about national identity and aesthetic theory by inquiring into the national character of Indian art. Coomaraswamy was born in Sri Lanka to a Sri Lankan father and an English mother. He spent most of his life in Boston, where he was curator of Asian art at the Boston Museum of Fine Arts. He was a noted art historian and aesthetician, and his work addressed Indian national identity. Coomaraswamy was an active figure in the independence movement. In this essay, he comments on the sale of purani chiz, or “old things,” in Swadeshi shops and laments the loss of beauty of Indian craftsmanship due to Western commercialism. He argues that the loss of artistic understanding has ruined Indian industries and prevents the possibility of their revival, and that Swadeshi must be a religious-artistic ideal instead of something more than a political weapon.
Keywords: national identity, aesthetic theory, craftsmanship, commercialism, Indian art, Swadeshi, Ananda Kentish Coomaraswamy
Oxford Scholarship Online requires a subscription or purchase to access the full text of books within the service. Public users can however freely search the site and view the abstracts and keywords for each book and chapter.
Please, subscribe or login to access full text content.
If you think you should have access to this title, please contact your librarian.
To troubleshoot, please check our FAQs , and if you can't find the answer there, please contact us .
- Title Pages
- Dedication
- Illustration
- Acknowledgments
- Introduction
- 1 Pandits and Professors
- 2 Rabindranath Tagore, “Nationalism in India” (1917)
- 3 Aurobindo Ghosh, “The Renaissance in India” (1918)
- 4 A. K. Coomaraswamy, “Indian Nationality” (1909)
- 5 Lajpat Rai, “Reform or Revival?” (1904)
- 6 Bhagavan Das, “The Meaning of Swaraj or Self-Government” (1921)
- 7 K. C. Bhattacharyya, “Svaraj in Ideas” (1928)
- 1 A. K. Coomaraswamy, “Art and Swadeshi” (1910)
- 2 Aurobindo Ghosh, “The Future Poetry” (1917–1918)
- 3 Rabindranath Tagore, “Pathway to Mukti” (1925)
- 4 B. K. Sarkar, “Viewpoints in Aesthetics” (1922)
- 5 K. C. Bhattacharyya, “The Concept of Rasa” (1930)
- 6 M. Hiriyanna, “Indian Aesthetics 2,” “Art Experience 2” (1951)
- 7 Art Experience 2
- 8 An Indian in Paris
- 1 R. D. Ranade, “The Problem of Ultimate Reality in the Upanishads” (1926)
- 2 Vivekananda, Jñāna Yoga (1915)
- 3 A. C. Mukerji, “Absolute Consciousness” (1938)
- 4 Ras Bihari Das, “The Falsity of the World” (1940)
- 5 S. S. Suryanarayana Sastri, “Advaita, Causality and Human Freedom” (1940)
- 6 A. C. Mukerji, “Śaṅkara’s Theory of Consciousness” (1937)
- 7 V. S. Iyer, Śaṅkara’s Philosophy (1955)
- 8 P. T. Raju, “Scepticism and Its Place in Śaṅkara’s Philosophy” (1937)
- 9 Bringing Brahman Down to Earth
- 1 The Plato of Allahabad
- 2 A. C. Mukerji, “The Realist’s Conception of Idealism” (1927)
- 3 Hiralal Haldar, “Realistic Idealism” (1930)
- 4 K. C. Bhattacharyya, “The Concept of Philosophy” (1936)
- 5 M. Hiriyanna, “The Problem of Truth” (1930)
- 6 G. R. Malkani, “Philosophical Truth” (1949)
- 7 A. C. Mukerji, “Traditional Epistemology” (1950)
- 1 Symposium
- A Bibliography of Significant Work in Indian Philosophy from the Colonial Period and the Immediate Postindependence Period
- Index
