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- Title Pages
- List of Illustrations
- Acknowledgments
- Introduction
- 1 Intimacy
- 2 The Transformation of Intimacy
- 3 <i>Intimacy</i> and <i>Romance</i> in Film Theory
- 4 (Part 1) “Intimacy is what hurts when it’s gone”
- 4 (Part 2) “A man didn’t make this film alone”
- 5 Brutal Intimacy
- 6 “Desperate for Intimacy”
- 7 Intimate Pleasures and the Madness of Love
- 8 Actors and Sexual Intimacies
- 9 Intimacies and Addictions in <i>Le Secret</i>
- 10 Beyond High Theories of Intimacy
- 11 Desire, Intimacy, Transgression, and the Gaze in the Work of Andrea Arnold and Lynne Ramsay
- Conclusion
- References
- Filmography
- Index
(p.323) References
(p.323) References
- Source:
- Real Sex Films
- Author(s):
John Tulloch
Belinda Middleweek
- Publisher:
- Oxford University Press
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- Title Pages
- List of Illustrations
- Acknowledgments
- Introduction
- 1 Intimacy
- 2 The Transformation of Intimacy
- 3 <i>Intimacy</i> and <i>Romance</i> in Film Theory
- 4 (Part 1) “Intimacy is what hurts when it’s gone”
- 4 (Part 2) “A man didn’t make this film alone”
- 5 Brutal Intimacy
- 6 “Desperate for Intimacy”
- 7 Intimate Pleasures and the Madness of Love
- 8 Actors and Sexual Intimacies
- 9 Intimacies and Addictions in <i>Le Secret</i>
- 10 Beyond High Theories of Intimacy
- 11 Desire, Intimacy, Transgression, and the Gaze in the Work of Andrea Arnold and Lynne Ramsay
- Conclusion
- References
- Filmography
- Index
