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A Generous VisionThe Creative Life of Elaine de Kooning$
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Cathy Curtis

Print publication date: 2017

Print ISBN-13: 9780190498474

Published to Oxford Scholarship Online: August 2017

DOI: 10.1093/oso/9780190498474.001.0001

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PRINTED FROM OXFORD SCHOLARSHIP ONLINE (oxford.universitypressscholarship.com). (c) Copyright Oxford University Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in OSO for personal use. date: 05 August 2021

Enchantment

Enchantment

Chapter:
(p.91) 6 Enchantment
Source:
A Generous Vision
Author(s):

Cathy Curtis

Publisher:
Oxford University Press
DOI:10.1093/oso/9780190498474.003.0006

Elaine arrived in Albuquerque in autumn 1958 as a guest instructor at the University of New Mexico, the first of many such positions she held over the years. The big-sky southwestern landscape had a powerful effect on her paintings, which became boldly colored and expansive in a new, horizontal orientation. Elaine made life-long friends—painter Connie Fox and poet Margaret Randall—and began a long-running affair with artist Robert Mallary; her portrait of him was reproduced on the April 1963 cover of ARTnews. As a teacher, she combined art-world stories with a down-to-earth approach that urged greater freedom on the canvas. Watching bullfights in Mexico led to a series of paintings utilizing the Abstract Expressionist brushstroke to evoke the whirling action of the corrida. A night observing a Zuni winter solstice ceremony sparked a fascination with ancient ritual that culminated in her Paleolithic-era cave painting series nearly thirty years later.

Keywords:   Albuquerque, New Mexico, southwestern landscape, Connie Fox, Margaret Randall, Robert Mallary, bullfight, Abstract Expressionist, teaching, ARTnews

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