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Marius PetipaThe Emperor's Ballet Master$
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Nadine Meisner

Print publication date: 2019

Print ISBN-13: 9780190659295

Published to Oxford Scholarship Online: May 2019

DOI: 10.1093/oso/9780190659295.001.0001

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PRINTED FROM OXFORD SCHOLARSHIP ONLINE (oxford.universitypressscholarship.com). (c) Copyright Oxford University Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in OSO for personal use. date: 27 July 2021

Ballet Wars Real and Imagined

Ballet Wars Real and Imagined

Chapter:
(p.107) 5 Ballet Wars Real and Imagined
Source:
Marius Petipa
Author(s):

Nadine Meisner

Publisher:
Oxford University Press
DOI:10.1093/oso/9780190659295.003.0006

This chapter starts with the arrival of Arthur Saint-Léon as first ballet master and Petipa’s appointment as his deputy. It describes the warring ballet fans, the Petipists and Muravevists, and their respective ballerinas, Maria Petipa and Marfa Muraveva, along with the enduring dichotomy in ballet between technical brilliance and graceful expressiveness. The rivalry between Petipa and Saint-Léon was probably imaginary, but Petipa’s focus on near-exclusive foreign or fantastical subject was not, and was part of the recurring question of Russian versus Western themes in Russian art. The chapter ends with an account of the end of the Petipas’ marriage and a profile of Petipa’s daughter, Marie Petipa, a popular dancer in the Imperial Ballet.

Keywords:   balletomanes, Petipists and Muravevists, Marfa Muraveva, nationalist subjects, Saint-Léon, Marie Petipa

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