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Elite Art WorldsPhilanthropy, Latin Americanism, and Avant-garde Music$
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Eduardo Herrera

Print publication date: 2020

Print ISBN-13: 9780190877538

Published to Oxford Scholarship Online: October 2020

DOI: 10.1093/oso/9780190877538.001.0001

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PRINTED FROM OXFORD SCHOLARSHIP ONLINE (oxford.universitypressscholarship.com). (c) Copyright Oxford University Press, 2022. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in OSO for personal use.date: 18 May 2022

Introduction

Introduction

Elite Art Worlds

Chapter:
(p.1) Introduction
Source:
(p.iii) Elite Art Worlds
Author(s):

Eduardo Herrera

Publisher:
Oxford University Press
DOI:10.1093/oso/9780190877538.003.0001

This introduction presents the Centro Latinoamericano de Altos Estudios Musicales (CLAEM) at the intersecton of the three key themes in the book Elite Art Worlds. First, understanding how local and international philanthropy providing funding for CLAEM articulated foreign policy, private interests, and cultural diplomacy. Second, how diverse models of musical avant-gardism were followed, consumed, and rearticulated and then embodied, resignified and institutionalized in Latin America, problematizing the idea of a single homogenous avant-garde. And third, the ways in which participants of CLAEM navigated a regional discourse about identity and professional positioning labeled Latin Americanism. The chapter concludes with a discussion and problematization of the idea of elites and art worlds.

Keywords:   philanthropy, cultural diplomacy, avant-garde, elites, art world, Latin Americanism

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