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Carmen and the Staging of SpainRecasting Bizet's Opera in the Belle Epoque$
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Michael Christoforidis and Elizabeth Kertesz

Print publication date: 2018

Print ISBN-13: 9780195384567

Published to Oxford Scholarship Online: November 2018

DOI: 10.1093/oso/9780195384567.001.0001

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PRINTED FROM OXFORD SCHOLARSHIP ONLINE (oxford.universitypressscholarship.com). (c) Copyright Oxford University Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in OSO for personal use. date: 18 January 2022

Premiere and Revival

Premiere and Revival

Paris, Galli-Marié, and Spanish Affairs

Chapter:
(p.27) Chapter 1 Premiere and Revival
Source:
Carmen and the Staging of Spain
Author(s):

Michael Christoforidis

Elizabeth Kertesz

Publisher:
Oxford University Press
DOI:10.1093/oso/9780195384567.003.0002

Carmen’s 1875 premiere at the Opéra-Comique was an unauspicious launch for a work that became Bizet’s most famous opera. Its controversial subject, Célestine Galli-Marié’s realist performance of the eponymous heroine, and surrounding politics all contributed to the work’s initial failure. Despite this, Carmen quickly became established in theaters around the world, leading to a triumphant revival when Galli-Marié finally returned to the role in Paris in 1883. This chapter examines connections between the opera’s changing fortunes in Paris and a range of issues related to Spain. It explores how fresh notions of local color, including the phenomenal success of the estudiantinas from 1878, transformed the landscape of Spanishness in the French capital at this time.

Keywords:   Carmen, Paris, Georges Bizet, Opéra-Comique, estudiantina, Exposition Universelle, Célestine Galli-Marié, Elena Sanz

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