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The Solfeggio TraditionA Forgotten Art of Melody in the Long Eighteenth Century$
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Nicholas Baragwanath

Print publication date: 2020

Print ISBN-13: 9780197514085

Published to Oxford Scholarship Online: November 2020

DOI: 10.1093/oso/9780197514085.001.0001

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PRINTED FROM OXFORD SCHOLARSHIP ONLINE (oxford.universitypressscholarship.com). (c) Copyright Oxford University Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in OSO for personal use. date: 18 January 2022

Defining Solfeggio

Defining Solfeggio

Chapter:
(p.239) 10 Defining Solfeggio
Source:
The Solfeggio Tradition
Author(s):

Nicholas Baragwanath

Publisher:
Oxford University Press
DOI:10.1093/oso/9780197514085.003.0010

The chapter offers an interpretation of the primary sources concerning eighteenth-century solfeggio, classifying solfeggi into four main types and outlining their historical origins, characteristic features, and pedagogical purposes. Both syllables and didactic function must be considered essential to any workable definition of solfeggio. Ambiguities arise, however, because the term was (and still is) applied to other types of pedagogical melody by extension, convention, or analogy. Cutting across the four types are the two broad traditions of seventeenth- and eighteenth-century solfeggi: one essentially contrapuntal, with roots in the ricercar, and the other essentially cantabile, stemming from opera and cantata. Various types of keyboard accompaniment and their purposes are outlined.

Keywords:   solfeggio, music pedagogy, eighteenth-century music history, musical genres, vocalizzo

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