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The Camera LiesActing for Hitchcock$
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Dan Callahan

Print publication date: 2020

Print ISBN-13: 9780197515327

Published to Oxford Scholarship Online: August 2020

DOI: 10.1093/oso/9780197515327.001.0001

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PRINTED FROM OXFORD SCHOLARSHIP ONLINE (oxford.universitypressscholarship.com). (c) Copyright Oxford University Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in OSO for personal use. date: 27 October 2021

The Mountain Eagle and The Lodger

The Mountain Eagle and The Lodger

Chapter:
(p.12) 2 The Mountain Eagle and The Lodger
Source:
The Camera Lies
Author(s):

Dan Callahan

Publisher:
Oxford University Press
DOI:10.1093/oso/9780197515327.003.0002

Hitchcock’s lost second film is represented by various stills where we can see how he carefully deglamorized his star Nita Naldi, who was a star from America. In his third film, The Lodger (1926), which made his reputation, Hitchcock carefully handles the queer matinee idol Ivor Novello, experimenting with ways of shooting him that emphasize his sex appeal and his strange way of moving. This film also features one of the first “Hitchcock blondes,” as played by an actress simply known as June. There is also a discussion of gayness in Hitchcock films and what it can mean to have a gay actor in a straight part and a straight actor in a gay part.

Keywords:   Nita Naldi, The Lodger, Ivor Novello, Ivor Montagu, June

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