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Sonic OverloadAlfred Schnittke, Valentin Silvestrov, and Polystylism in the Late USSR$
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Peter J. Schmelz

Print publication date: 2021

Print ISBN-13: 9780197541258

Published to Oxford Scholarship Online: January 2021

DOI: 10.1093/oso/9780197541258.001.0001

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PRINTED FROM OXFORD SCHOLARSHIP ONLINE (oxford.universitypressscholarship.com). (c) Copyright Oxford University Press, 2022. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in OSO for personal use.date: 27 January 2022

Legacies of Polystylistic Tendencies (Today, Tomorrow, Yesterday)

Legacies of Polystylistic Tendencies (Today, Tomorrow, Yesterday)

Chapter:
(p.332) 10 Legacies of Polystylistic Tendencies (Today, Tomorrow, Yesterday)
Source:
Sonic Overload
Author(s):

Peter J. Schmelz

Publisher:
Oxford University Press
DOI:10.1093/oso/9780197541258.003.0011

Chapter 11 takes account of Alfred Schnittke’s posthumous reception as well as of Valentin Silvestrov’s works from the late 1980s to the present. Schnittke’s death in 1998 marked, for many, the end of an era. Yet his polystylism in both theory and practice still influences many composers in Russia today. Silvestrov has continued composing, beginning around 2000 a new style he calls the bagatelle. The chapter ends by addressing the musical and sociocultural manifestations of polystylism today in the countries of the former USSR and in the global post-Soviet diaspora. Among them are the works of Vladimir Martynov and Lera Auerbach.

Keywords:   Alfred Schnittke, Valentin Silvestrov, polystylism, Vladimir Martynov, Lera Auerbach, Daft Punk, Bad Plus

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