Protestant Aesthetics beyond the Court
Protestant Aesthetics beyond the Court
While princely residential cities such as Dresden provided key focal points for the Empire’s spiritual and cultural life during the later seventeenth century, Chapter 8 shows that the appeal of the Lutheran baroque extended well beyond courtly circles. Not only princes and nobles but also prosperous burghers commissioned magnificent churches and religious images, as the examples investigated here demonstrate. The chapter uses case studies from two Saxon territories, the Erzgebirge and Upper Lusatia, to suggest that wherever finances permitted churches were rebuilt or redecorated in the new style, employing visual magnificence in the service of Lutheran piety. There were some splendid monuments in Brandenburg as well, for example Andreas Schlüter’s pulpit for Berlin’s Marienkirche (1703). There, however, Lutheran culture was also shaped by the presence of Calvinists and Pietists.
Keywords: Saxony, Erzgebirge, Upper Lusatia, baroque, Brandenburg-Prussia, Berlin, Andreas Schlüter, Pietism, Philipp Jakob Spener, August Hermann Francke
Oxford Scholarship Online requires a subscription or purchase to access the full text of books within the service. Public users can however freely search the site and view the abstracts and keywords for each book and chapter.
Please, subscribe or login to access full text content.
If you think you should have access to this title, please contact your librarian.
To troubleshoot, please check our FAQs , and if you can't find the answer there, please contact us .
