‘Pictures’ and ‘Signs’
‘Pictures’ and ‘Signs’
Creative Thinking in Shelley’s Prose, 1816–21
The chapter’s starting point is Shelley’s conviction that poetry ‘marks the before unapprehended relations of things’ and his consequent way of using ‘words’ in his prose as ‘pictures of integral thoughts’, even as he worries that they may turn out to be merely ‘signs for portions and classes of thoughts’ (A Defence of Poetry). The chapter shows how Shelley’s prose thinks through its style in multiple ways: section 2 examines the ironies at work in ‘An Address to the People on the Death of the Princess Charlotte’; section 3 turns its attention to A Philosophical View of Reform and that work’s enactment of complicated rhetorical strategies; section 4 examines Shelley’s essays on religious matters, such as his essay ‘On Christianity’, and brings out their concern to dramatize and allow for tensions; and section 5 explores Shelley’s metaphysical prose before returning to questions of poetics with which the essay began.
Keywords: Shelley, poetics, prose, style, strategy, tension, A Defence of Poetry
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