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Pindar's EyesVisual and Material Culture in Epinician Poetry$
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David Fearn

Print publication date: 2017

Print ISBN-13: 9780198746379

Published to Oxford Scholarship Online: August 2017

DOI: 10.1093/oso/9780198746379.001.0001

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PRINTED FROM OXFORD SCHOLARSHIP ONLINE (oxford.universitypressscholarship.com). (c) Copyright Oxford University Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in OSO for personal use. date: 09 December 2021

Efficacy

Efficacy

Nemean 5 and Herodotus on Aeginetan Victors, Heroes, and Statues

Chapter:
(p.16) 1 Efficacy
Source:
Pindar's Eyes
Author(s):

David Fearn

Publisher:
Oxford University Press
DOI:10.1093/oso/9780198746379.003.0002

This chapter discusses artistic efficacy and attitudes towards material culture in Pindar, Nemean 5. By framing his own poem with a statement about the communicative efficacy of sculpture, Pindar is asking important questions about the similarities and differences between commemorative art and poetry. This opening is the first in a series of gnomic expressions that anticipate a diversity of audience responses to both commemorative art and poetry across time and space, within and beyond the original Aeginetan context. Assessment of the theme of sculptural and encomiastic efficacy then leads to Herodotus’ Aeginetan logoi in books 5, 8, and 9 of the Histories.

Keywords:   Aeginetan, sculpture, art, poetry, efficacy, attitude, audience, Herodotus

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