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The Emergence of the Fourth DimensionHigher Spatial Thinking in the Fin de Siècle$
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Mark Blacklock

Print publication date: 2018

Print ISBN-13: 9780198755487

Published to Oxford Scholarship Online: May 2018

DOI: 10.1093/oso/9780198755487.001.0001

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PRINTED FROM OXFORD SCHOLARSHIP ONLINE (oxford.universitypressscholarship.com). (c) Copyright Oxford University Press, 2020. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in OSO for personal use. date: 29 November 2020

Fictions

Fictions

The Spaces of Literature after n-Dimensions

Chapter:
(p.166) 6 Fictions
Source:
The Emergence of the Fourth Dimension
Author(s):

Mark Blacklock

Publisher:
Oxford University Press
DOI:10.1093/oso/9780198755487.003.0007

Chapter 6 considers how cultural conceptions of space had been shifted by higher spatial thought in its various forms and how this was reflected in the popular and literary fiction of the fin de siècle. Investigating the production of space in fin de siècle literature, it focuses on embodiment, the senses, and particularly narrative voice and mood. A newly configured spatiality that owes its conception to higher space becomes a driving force behind certain techniques of narrative fiction in the period and plays directly into Modernism. This chapter builds on earlier observations on things as mediating objects and on the philosophy of space to develop a widescreen vision of higher space that explores its reciprocal relationship with colonial space in the fiction of H.G. Wells, George MacDonald, George Griffith, Joseph Conrad, Ford Madox Ford, Henry James, H.P. Lovecraft, and others.

Keywords:   higher-dimensional fiction, H.G. Wells, Joseph Conrad, Henry James, H.P. Lovecraft, The Invisible Man

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