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Algebraic ArtMathematical Formalism and Victorian Culture$
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Andrea Henderson

Print publication date: 2018

Print ISBN-13: 9780198809982

Published to Oxford Scholarship Online: May 2018

DOI: 10.1093/oso/9780198809982.001.0001

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PRINTED FROM OXFORD SCHOLARSHIP ONLINE (oxford.universitypressscholarship.com). (c) Copyright Oxford University Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in OSO for personal use. date: 07 March 2021

Analogy

Analogy

The Physics and Poetics of Analogy

Chapter:
(p.129) 4 Analogy
Source:
Algebraic Art
Author(s):

Andrea Henderson

Publisher:
Oxford University Press
DOI:10.1093/oso/9780198809982.003.0005

Analogy was a crucial conceptual tool for Victorian natural philosophers, who regarded the physical world less in terms of material bodies than formal relationships. Thus, even as they aimed for verisimilitude in their theoretical models, James Clerk Maxwell and Michael Faraday used analogical figures freely, for they understood nature itself to be structured around analogical relations. Like Maxwell, Algernon Charles Swinburne wrote an undergraduate essay on the subject of analogy, conceiving it as fundamental to both scientific advancement and poetic production, where its logic of equivalence subsumes not only metaphor but also rhythm and rhyme. Swinburne’s poems “Before the Mirror” and “Sapphics” dramatize the replacement of the traditional notion of metaphor by the structures of formal analogy.

Keywords:   James Clerk Maxwell, Michael Faraday, Algernon Charles Swinburne, analogy, field theory, metaphor, electromagnetism, Before the Mirror, Sapphics, liberalism

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