Charles Dibdin and Late Georgian Culture
Oskar Cox Jensen, David Kennerley, and Ian Newman
Abstract
Charles Dibdin (1745–1814) was one of the most popular and influential producers of late Georgian culture. The huge diversity of his work and career defies simple categorization. He was, often at one and the same time, an actor, lyricist, composer, singer-songwriter, comedian, theatre-manager, journalist, and author of novels, historical works, polemical pamphlets, and guides to musical education. Consequently, he is important to many different fields for often quite dissimilar reasons. This means that a sense of his overall accomplishments—never mind the powerful reverberations of his influen ... More
Charles Dibdin (1745–1814) was one of the most popular and influential producers of late Georgian culture. The huge diversity of his work and career defies simple categorization. He was, often at one and the same time, an actor, lyricist, composer, singer-songwriter, comedian, theatre-manager, journalist, and author of novels, historical works, polemical pamphlets, and guides to musical education. Consequently, he is important to many different fields for often quite dissimilar reasons. This means that a sense of his overall accomplishments—never mind the powerful reverberations of his influence—across numerous areas and in different periods may only truly be appreciated from the multiple perspectives that an interdisciplinary collaboration can offer. The chief aim of this volume is to illuminate the breadth and depth of Dibdin’s impact, and in the process offer fresh insights into previously hidden aspects of late Georgian culture. Dibdin’s importance lies in his ability to make visible the connections between various kinds of cultural production; he provides a model for thinking about late Georgian culture as a system of interconnected parts. This book illustrates the variety of Dibdin’s cultural output as characteristic of late-eighteenth-century entertainment, while also addressing the challenge mounted by specialization in the early nineteenth century. What emerges is not the elimination of miscellany, but rather the establishment of new cultural hierarchies in which a specialized elite culture increasingly defined itself against a continuing and vibrant culture of miscellany.
Keywords:
Charles Dibdin,
song,
theatre,
London,
interdisciplinary,
Georgian,
solo entertainment,
blackface,
patriotism,
culture
Bibliographic Information
Print publication date: 2018 |
Print ISBN-13: 9780198812425 |
Published to Oxford Scholarship Online: February 2018 |
DOI:10.1093/oso/9780198812425.001.0001 |
Authors
Affiliations are at time of print publication.
Oskar Cox Jensen, editor
Leverhulme Fellow, Department of History, Queen Mary University of London
David Kennerley, editor
Postdoctoral Research Associate, Music Department, King's College London
Ian Newman, editor
Assistant Professor, University of Notre Dame, Department of English
More
Less