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Charles Dibdin and Late Georgian Culture$
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Oskar Cox Jensen, David Kennerley, and Ian Newman

Print publication date: 2018

Print ISBN-13: 9780198812425

Published to Oxford Scholarship Online: February 2018

DOI: 10.1093/oso/9780198812425.001.0001

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PRINTED FROM OXFORD SCHOLARSHIP ONLINE (oxford.universitypressscholarship.com). (c) Copyright Oxford University Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in OSO for personal use. date: 07 December 2021

Dibdin and John Raphael Smith

Dibdin and John Raphael Smith

Print Culture and Fine Art

Chapter:
(p.158) Interlude 3 Dibdin and John Raphael Smith
Source:
Charles Dibdin and Late Georgian Culture
Author(s):

Nicholas Grindle

Publisher:
Oxford University Press
DOI:10.1093/oso/9780198812425.003.0011

This interlude builds on insights into the relationship between song and visual culture by discussing in detail the relationship between Charles Dibdin and the artists George Morland and John Raphael Smith, who produced numerous high-art paintings based on Dibdin’s songs. It considers the implications of this appropriation of a popular musical tradition by the elite art world, and provides a compelling account of the overlapping worlds of fine art, the theatre, and musical entertainment by examining the clubs and societies in which they mingled. It concludes by relating this to issues of professionalism and status, matters of supreme importance to a self-made man such as Dibdin.

Keywords:   prints, art, George Morland, print culture, society, Rudolph Ackermann, professional

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