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Fulke Greville and the Culture of the English Renaissance$
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Russ Leo, Katrin Röder, and Freya Sierhuis

Print publication date: 2018

Print ISBN-13: 9780198823445

Published to Oxford Scholarship Online: January 2019

DOI: 10.1093/oso/9780198823445.001.0001

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PRINTED FROM OXFORD SCHOLARSHIP ONLINE (oxford.universitypressscholarship.com). (c) Copyright Oxford University Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in OSO for personal use. date: 28 October 2021

Greville’s Scantlings

Greville’s Scantlings

Architecture, Measure, and the Defence of Modular Poesy

Chapter:
(p.47) 3Greville’s Scantlings
Source:
Fulke Greville and the Culture of the English Renaissance
Author(s):

Kathryn Murphy

Publisher:
Oxford University Press
DOI:10.1093/oso/9780198823445.003.0003

This chapter examines Greville’s ‘architectonical art’ in his treatise poems: both his use of architectural imagery and proportionate form, and his engagement with Sir Philip Sidney’s discussion, following Aristotle, of poetry’s relationship to the architectonic ‘mistress-knowledge’ of ethics, politics, and virtue, in the Defense of Poesy. The essay begins by establishing the close relationship of Greville’s Dedication to Sidney’s ideas and the Defense, and reads the Dedication as an emulation of the kind of exemplary narrative which Sidney advocated. It then examines the contrast in the ‘characteristical’ poetics of Sidney, which aim to inculcate virtue through example, and the ‘modular’ poetics of the treatise poems, which teach through precept and formal device. The closing passages offer a close reading of the first stanza of Caelica 6 as exemplary of Greville’s engagement with Sidney and his practice of a modular poetics based on ideas of proportion and measure as ethically exemplary.

Keywords:   Greville, Fulke, treatise poems, Dedication, Sidney, Philip, Aristotle, form, proportion, architecture, poetics

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