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Dickens and the Stenographic Mind$
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Hugo Bowles

Print publication date: 2019

Print ISBN-13: 9780198829072

Published to Oxford Scholarship Online: February 2019

DOI: 10.1093/oso/9780198829072.001.0001

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PRINTED FROM OXFORD SCHOLARSHIP ONLINE (oxford.universitypressscholarship.com). (c) Copyright Oxford University Press, 2020. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in OSO for personal use. date: 24 October 2020

Reporting

Reporting

Chapter:
(p.83) 5 Reporting
Source:
Dickens and the Stenographic Mind
Author(s):

Hugo Bowles

Publisher:
Oxford University Press
DOI:10.1093/oso/9780198829072.003.0006

This chapter examines Dickens’s use of shorthand as a law reporter at Doctors Commons, in the Gallery of Parliament and as a journalist. It describes the culture of reporting in each environment (section 5.1), particularly the notions of ‘faithful’ and ‘verbatim’ reporting (section 5.2). It also draws on Dickens’s Jarman v Bagster manuscript and a Mirror of Parliament report to assess his accuracy as a reporter (section 5.3). The chapter then addresses Dickens’s role as a court reporter in relation to his fiction. Drawing on Levinson’s ‘participation roles’ and Goffman’s ‘production format’, section 5.4 argues that the practice of shorthand reporting enabled Dickens to transcribe the words of unseen witnesses, plaintiffs, and defendants into the fictional words of unseen characters by developing his technical skill in reporting speech and his ability to manipulate ‘voicing’ to control readers’ vocalizations of his fictional work, particularly through variations in phonetic speech.

Keywords:   Doctors Commons, Gallery of Parliament, reporter, faithful, verbatim, reported speech, participation roles, production format, voicing

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