Jump to ContentJump to Main Navigation
The Insula of the Menander at PompeiiVolume II: The Decorations$
Users without a subscription are not able to see the full content.

Roger Ling and Lesley Ling

Print publication date: 2005

Print ISBN-13: 9780199266951

Published to Oxford Scholarship Online: November 2020

DOI: 10.1093/oso/9780199266951.001.0001

Show Summary Details
Page of

PRINTED FROM OXFORD SCHOLARSHIP ONLINE (oxford.universitypressscholarship.com). (c) Copyright Oxford University Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in OSO for personal use. date: 13 June 2021

GENERAL COMMENTS

GENERAL COMMENTS

Chapter:
(p.165) GENERAL COMMENTS
Source:
The Insula of the Menander at Pompeii
Author(s):

Roger Ling

Lesley Ling

Publisher:
Oxford University Press
DOI:10.1093/oso/9780199266951.003.0014

The Decorations have so Far Been Considered house by house because their main interest lies in what they tell us about the residential units for which they were designed and the householders who commissioned them. We may conclude, however, by looking at them globally to draw some general conclusions about patterns of distribution and about the contribution made by Insula I.10 to our knowledge of Pompeian interior decoration. The nature of our study, covering a whole insula rather than focusing on individual houses, provides an exceptional opportunity to consider decorations across a range of properties which together constitute a ‘neighbourhood’ within Pompeii. We can thus pick out some of the patterns of economic and social differentiation within a small area of the city. Even if few of our conclusions prove to be unexpected, they none the less provide some kind of model against which to measure the results of studies of individual houses or of whole insulae elsewhere in Pompeii. Our discussion will, inevitably, concentrate on the seven more substantial dwellings in the insula, namely the Case del Menandro, degli Amanti and del Fabbro, and houses 1, 3, 8, and 18. The various one- or tworoom units, including independent shops and workshops, and the upstairs apartment entered via entrance 5, either lacked any form of interior decoration (other than largely plain plaster and mortar paving) or have yielded too little evidence to enable worthwhile conclusions to be drawn. one in the Casa del Fabbro and one in the Casa degli Amanti, hints at the former existence of even more luxurious paintings of which no trace remains. But the record is simply too defective to bring this material into the equation: as in other parts of Pompeii, details of arrangements on the upper floors are mostly unrecoverable. We are forced to base our figures on the ground floors alone, acknowledging the danger that this may result in some distortion of the picture. First, pavements. The decorated paving can be divided into three main types: true mosaic, pavements of mortar sprinkled with pieces of white and coloured stones, and pavements of mortar with patterns formed by lines of tesserae.

Keywords:   Oplontis, villa A (of the Poppaei)

Oxford Scholarship Online requires a subscription or purchase to access the full text of books within the service. Public users can however freely search the site and view the abstracts and keywords for each book and chapter.

Please, subscribe or login to access full text content.

If you think you should have access to this title, please contact your librarian.

To troubleshoot, please check our FAQs , and if you can't find the answer there, please contact us .