Show Summary Details
- Title Pages
- Illustrations
- Tables
- About the Companion Website
- Acknowledgments
- Note on Currency Conversions
- Abbreviations
- Introduction
- 1 English-Language Opera in Postwar America
- 2 The Renaissance of English-Language Opera in America
- 3 Foreign-Language Opera Is Exclusive; Vernacular Is “For the People”
- 4 Effie Ober and the Boston Ideal Opera Company, 1879–1885
- 5 Emma Abbott, the “People’s Prima Donna”
- 6 The American Opera Company
- 7 English-Language Opera at the End of the Century
- Epilogue
- Bibliography
- Index
(p.vii) Illustrations
(p.vii) Illustrations
- Source:
- Opera for the People
- Author(s):
Katherine K. Preston
- Publisher:
- Oxford University Press
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- Title Pages
- Illustrations
- Tables
- About the Companion Website
- Acknowledgments
- Note on Currency Conversions
- Abbreviations
- Introduction
- 1 English-Language Opera in Postwar America
- 2 The Renaissance of English-Language Opera in America
- 3 Foreign-Language Opera Is Exclusive; Vernacular Is “For the People”
- 4 Effie Ober and the Boston Ideal Opera Company, 1879–1885
- 5 Emma Abbott, the “People’s Prima Donna”
- 6 The American Opera Company
- 7 English-Language Opera at the End of the Century
- Epilogue
- Bibliography
- Index
